Head of a Maori Girl (Mere Te Kaehe Karetai)
Date
1900
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Object Detail
Catalogue number
FH0293
Date
1900
Brief Description
The sitter has been identified as Mere Te Kaehe Karetai, who was first photographed by the artist's father William Hodgkins in the 1880s. Frances Hodgkins painted a portrait from one of her father's photographs in 1896, of Mere standing in a doorway wearing a headscarf. The family lived at Otakou on the Otago Peninsula. There is a later photograph of Mere Te Kaehe in which she is wearing this cloak, but she is looking down rather than looking at the viewer.
Hodgkins produced a series of watercolours of Maori girls, once writing to her sister in Wellington asking for any photographs of Maori.
Hodgkins produced a series of watercolours of Maori girls, once writing to her sister in Wellington asking for any photographs of Maori.
Medium
watercolour
Dimensions
490 x 338 mm
Inscription
Frances Hodgkins had gifted the work to Lorna Styles.She visited Corfe in the 1940s and asked Hodgkins to sign the work, which she did Inscribed lower l. in red chalk, 'Frances Hodgkins/ painted /New Zealand 1900'.
Framing notes
Framing notes
Collection
Institutional number
1961/26
Credit line
Auckland
Art
Gallery
Toi
o
Tāmaki,
purchased
1961
Provenance
Grace Nichol.
Lorna Style, by descent.
Purchased by the Auckland City Art Gallery (now Auckland Art Gallery Toi o Tāmaki) from Mrs Lorna Style, Suffolk, England, 1961.
Lorna Style, by descent.
Purchased by the Auckland City Art Gallery (now Auckland Art Gallery Toi o Tāmaki) from Mrs Lorna Style, Suffolk, England, 1961.
Exhibition history
References
Christina Barton, The Expatriates: Frances Hodgkins ; The Expatraites: Barrie Bates, Adam Art Gallery, Victoria University of Wellington, Wellington, 2005| ill. 10
Catherine Hammond, Mary Kisler, Frances Hodgkins: European Journeys, Auckland University Press, Auckland Art Gallery Toi o Tāmaki, Auckland, 2019| p. 45 (colour ill. 3.9)
Catherine Hammond, Mary Kisler, Frances Hodgkins: European Journeys, Auckland University Press, Auckland Art Gallery Toi o Tāmaki, Auckland, 2019| p. 45 (colour ill. 3.9)